However, there are films that do give a sense of non-human subjectivity, including those made in this research. ![]() The argument starts with the proposition that humans are not capable of fully portraying non-human subjectivity in documentary film, because any depiction will be an anthropomorphic interpretation of what that might be. Henceforth, both theory and practice explore how audience and onscreen animal can be connected in cinema and what the requirements are for a human spectator to relate to and embody the onscreen animal and its film world. It argues that a spectator cannot be told to feel empathy, and instead should be offered an experience that allows them to practise empathy whilst watching and listening. ![]() This practice-based research explains how non-human subjectivity can be suggested in documentary film and identifies film techniques that allow a spectator to empathise with an onscreen animal.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |